![]() The song channels George Clinton’s funk through the band’s new wave. The opener for Speaking in Tongues was inspired by Byrne observing the religious fervour at a Parliament/Funkadelic concert. It wasn’t a big hit initially, missing the top 50, but it’s subsequently gained popularity on streaming platforms. The band members swap instruments – while Frantz is on drums, Weymouth is on guitar, Harrison plays synth bass, while Byrne alternates between guitar and keyboards, taking the synth solo. It’s an uncharacteristically straightforward declaration of love from Byrne. The closing track to 1983’s Speaking in Tongues, ‘This Must Be The Place’ is an atypical Talking Heads song. New York rockers Living Color covered ‘Memories Can’t Wait’ on their debut album. ‘Memories Can’t Wait’ is tucked into the centre of the record, and is rhythmically focused, with the pulsing, reverbed guitars. Byrne’s lyrics express his concerns about the titular object, over his and Harrison’s interlocking guitars. Much of 1979’s Fear of Music follows a singular formula. If you were really smart, you’d know what to do.” Backed with Chris Frantz’s cheesy steel pans, Byrne sings lines that would fit better as the opening theme for a children’s TV show “So here come a riddle, here come a clue. On the opening track, ‘Uh-Oh Love Comes to Town’ he’s so insincere that it’s charming. On the Talking Heads’ debut, David Byrne is creepily insincere. I have no idea what Byrne’s singing about here, but it doesn’t match the title – “first I’ll walk in circles ’round you, but first I’ll walk around the world.” ‘Thank You For Sending Me An Angel’ explodes out of the gate with its lively rhythm guitar and Chris Frantz’s drum fills. The opening track from the Talking Heads’ first album with Brian Eno in the producer’s chair. It’s therefore impressive that the band could recreate it live, and it’s a highlight of Stop Making Sense, with Byrne playing the guitar solo.įrom More Songs About Buildings and Food, 1978 ‘Crosseyed and Painless’ is a studio-based creation – Eno and Byrne created the tracks from loops of the band’s jams. The three opening tracks on Remain in Light are all terrific, with lengthy running times to explore Afro-beat rhythms. It tells the story of an anti-Imperialism terrorist – the terse narrative leads into the unexpectedly beautiful and haunting chorus (“the wind in my heart”). ‘Listening Wind’, nestled in the mellower second half of the record, features Arabic sounds. 10 Best Talking Heads Songs #10 Listening WindĪided and abetted by Brian Eno, Remain in Light is a studio-intense creation, influenced by the African poly-rhythms of Fela Kuti. The band have a lot of great deep cuts, so there was no room for excellent singles like ‘Psycho Killer’, ‘Take Me To The River’, ‘Life During Wartime’, ‘Road to Nowhere’, and ‘And She Was’. Here are my picks for the ten best Talking Heads songs. ![]() Later in their career, the other Talking Heads became a backing band for David Byrne he dominated their less notable later efforts like 1985’s Little Creatures and 1986’s True Stories. ![]() The band’s 1984 concert film Stop Making Sense is beloved. They beefed up their sound with the help of producer Brian Eno, culminating in the 1980 masterpiece Remain in Light. The band started playing nervy new wave, exemplified by the 1977 single ‘Psycho Killer’. The band was completed by keyboardist and guitarist Jerry Harrison, who’d previously played with Jonathan Richman in The Modern Lovers. When the new band was unable to find a bass player, Frantz’s girlfriend Tina Weymouth learned to play by listening to Suzi Quatro records. Neurotic frontman David Byrne formed the band with drummer Chris Frantz. Talking Heads emerged from the mid-1970s CBGB scene, along with Blondie, The Ramones, and Television.
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